RESIDENCY #4
ENIGMATIC REFRACTIONS

TURIN, ITALY
DUPARC CONTEMPORARY SUITES
2023

A year-long project started with a residency in Turin, Italy, and culminated in the production of a collection of works and the publication of a monograph book on each designer.

ENIGMATIC REFRACTIONS

“Art is a sphinx. The beauty of the sphinx is that it is up to you to interpret it. When you have found an interpretation, you are already healed. The common mistake is to believe that the sphinx can only give one correct answer. In reality it gives a hundred, a thousand, or maybe none. Interpretation undoubtedly does not restore the truth to us, but the exercise of interpreting saves us”
Saul Steinberg (1)

“The invented image has its own truth”
Giordano Bruno (2)

Each object carries a share of pure enigmaticity, a fraction of the indistinguishable and imponderable – and therefore inexplicable, if not unspeakable – that accompanies its life cycle. The enigma, like an inseparable aura or an impalpable identifying character, is inherent in the existence of the object itself: from the simplest to the most sophisticated, all tangible presences are affected by a pervasive and persistent – but often imperceptible – fraction of mystery, because «in visible forms is present the invisible». (3)

In other ways, one often wants to grant the artifact the authority of a symbolic entity, of a talisman that can deter the mystery coupled with present and future existence. The object acts as an ideal optical device that tries to open a gap of vision through refraction – understood as the breaking – of the indecipherable.

The design of objects, following this reasoning, can be considered as a practice with which to venture attempts to decode the inexplicable, by creating tangible emblems, which are incapable of revealing “the” truth but are functional in stimulating the comparison with the universal riddle proposed by the sphinx of living. Metaphorically speaking, these objects can be considered as mirrors, to be connected through a theorem of reflections and refractions in an attempt – never definitive and never completely successful – to aim in the direction of the occult and the invisible.

What characters can these objects have?
What messages can they convey?
What categories or kinds of refraction can they trigger?

The “enigmatic refractions”, in the dense abstraction that the association of these two words implies, seem to suggest the idea of a phenomenon that concerns the behavior of light waves, the faculty of seeing and that of perceiving; but the spectrum of topics connected to this theme can expand dramatically, finding innumerable and unexpected consonances and correspondences.

Turin is a candidate for the ideal place to reflect critically on these topics, to give them a creative interpretation. As the metaphysical artist Giorgio de Chirico wrote, «the city is made for philosophical dissertations», adding: «Turin is the deepest, most enigmatic, most uncanny city. Not of Italy, but of the world». (4)

(1) Pierre Schneider, Louvre Dialogues, Atheneum, New York, 1971
(2) Giordano Bruno, De vinculis in genere, Artemide Libri, Milan, 2019
(3) Riccardo Dottori, Giorgio de Chirico, Immagini metafisiche, La nave di Teseo, Milan, 2018
(4) Maurizio Fagiolo dell’Arco, de Chirico: gli anni Trenta, Skira, Milan, 1996